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"Early Art of the Southeastern Indians is a visual journey through time, highlighting some of the most skillfully created art in Native North America. The remarkable objects described and pictured here, many in full color, reveal the hands of master artists who developed lapidary and weaving traditions, established centers for production of shell and copper objects, and created the first ceramics in North America. Presenting artifacts originating in the Archaic through the Mississippian periods--from thousands of years ago through A.D. 1600--Susan C. Power introduces us to an extraordinary assortment of ceremonial and functional objects, including pipes, vessels, figurines, and much more. Drawn from every corner of the Southeast--from Louisiana to the Ohio River valley, from Florida to Oklahoma--the pieces chronicle the emergence of new media and the mastery of new techniques as they offer clues to their creators' widening awareness of their physical and spiritual worlds. The most complex works, writes Power, were linked to male (and sometimes female) leaders. Wearing bold ensembles, consisting of symbolic colors, sacred media, and richly complex designs, the leaders controlled large ceremonial centers, each noteworthy in regional art history, such as Etowah, Georgia; Spiro, Oklahoma; Cahokia, Illinois; and Moundville, Alabama. Many objects were used locally; others circulated to distant locales. Power comments on the widening of artists' subjects, starting with animals and insects, moving to humans, then culminating in supernatural combinations of both, and she discusses how a piece's artistic "language" could function as a visual shorthand in local style and expression, yet embody aniconography of regional proportions. The remarkable achievements of the southeastern artists delight the senses ad engage the mind, while giving a brief glimpse into the rich, symbolic world of feathered serpents and winged beings.

In the Blue Ridge Mountains along the Virginia-North Carolina border, an extraordinarily rich musical heritage survives and flourishes. Even before the legendary Bill Monroe coined the term "bluegrass" in the mid-1950s, the traditional music of this area was coming into its own as a distinctive style. Early performers from the 1920s through the 1950s, many of whom migrated northward during the Great Depression, popularized the music they had grown up hearing, thereby preserving and celebrating the cultural legacy of their home region. In A Hot-Bed of Musicians, Paula Anderson-Green tells the stories of several of these legendary performers and instrument makers from the Upper New River Valley-Whitetop Mountain region, including Ola Belle Campbell Reed, Albert Hash, and Dave Sturgill. These men and women began to bring the music of Appalachia to a wider audience well before Nashville became the center of country music. Making extensive use of interviews, the book reveals the fascinating experiences and enduring values behind the practice of old-time music. This musical heritage remains an indispensable component of Appalachian culture, and Anderson-Green traces the traditions down to the present generation of musicians there. Written for anyone with an interest in mountain music, this book focuses on performers from Alleghany and Ashe Counties in North Carolina and Carroll County and Grayson County in Virginia. It includes a comprehensive appendix of place names and music venues as well as annotated lists of musicians and the songs they have performed.

North Shore Medical Center - The North Shore Medical Center (formally abbreviated NSMC) is a hospital complex in Salem, Massachusetts.

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North Fulton Regional Medical Center - North Fulton Regional Medical Center A Hot-Bed of Musicians: Traditional Music in the Upper New River Valley-Whitetop Region by Paula Hathaway Anderson-Green, X In the Blue Ridge Mountains along the Virginia-North Carolina border, an extraordinarily rich musical heritage survives north fulton regional medical center and flourishes. Even before the legendary Bill Monroe coined the term "bluegrass" in the mid-1950s, the traditional music of this area was coming into its own as a distinctive style. Early performers ...

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